Kara Walker Quotes

  • I'm fascinated with the stories that we tell. Real histories become fantasies and fairy tales, morality tales and fables. There's something interesting and funny and perverse about the way fairytale sometimes passes for history, for truth.
  • My work is really abject and self-effacing sometimes. I mean, it's big and overwrought, but it's just paper dolls, and it's kind of silly.
  • I don't think that my work is very moralistic - at least, I try to avoid that. I grew up with that sermonising tendency, and I don't think visual work operates like that.
  • I trust my hand. If I go into a space with a roll of paper, I can make a work, some kind of work, and feel pretty satisfied.
  • The illusion is that most of my work is simply about past events: a point in history and nothing else.
  • A lot of what I was wanting to do in my work and what I have been doing has been about the unexpected... that unexpected situation of wanting to be the heroine and yet wanting to kill the heroine at the same time.
  • I have no interest in making a work that doesn't elicit a feeling.
  • I really love to make sweeping historical gestures that are like little illustrations of novels.
  • The promise of any artwork is that it can hold us - viewer and maker - in a conflicted or contestable space, without real-world injury or loss.
  • Once you open up the Pandora's box of race and gender... you're never done.
  • Challenging and highlighting abusive power dynamics in our culture is my goal; replicating them is not.
  • I knew I wanted to be an artist, but I didn't really know what it was I wanted to say.
  • I never learned how to be adequately black. I never learned how to be black at all.
  • There is something very strange and unsettling for me about making a work that doesn't fit with what's the norm or what's acceptable. There's something both liberating about it and challenging. I can imagine it doing more harm than good.
  • I'm a sponge for historical images of black people and black history on film.
  • I grew up partially around Stone Mountain, Georgia, and in that part of the country, there was always this aura of mythology and palpable sense of otherness about being a Southerner.
  • To be a truly conscientious artist, you have to look at what's not working and challenge it. You riff on things.
  • Humor's always been the problem of my work, hasn't it? When working, I feel satisfied when I surprise myself. And when I surprise myself, I wind up laughing.
  • I am performing this role of the artist and this role of the 'negress' coming into a white-box institution. It's kind of a self-appointed role: the self-designated negress.
  • I don't know how much I believe in redemptive stories, even though people want them and strive for them.